Tearing Down Road Blocks

Still on the mend, but very happy with myself this evening. Three months ago, six months ago, or a year ago, actually for the last twenty years I have been putting myself off. Finding every excuse in the book to not work, putting up self-built road blocks, telling myself that I wasn’t good enough, or focusing on the “can’t” instead of the “can”. Putting myself in the position of having to answer to others, some I know, obviously some I don’t know, and most importantly to myself, has forced my hand literally. I didn’t feel like working again tonight. Still have an earache and a headache. I gave a fleeting thought to hanging a shingle up here on the blog declaring, “Blog closed due to illness”, but I am so committed to this project that I couldn’t do it. Not only did I work, but I confronted my biggest artistic hurdle head on. Perspective, it’s a dirty word for me. I pull out the ruler, I study the angles, it just doesn’t work for me! It isn’t perfect, which is OK, (because we all know I am leaving perfect behind) but I do love the finished piece.

A little about the subject matter. I have boxes of paper in my studio. Photos that I tore from magazines over the years because I liked a color, or a shape, or a face, something that appealed to me about each and every one. Then there are the computer files of the thousands of photos that I have taken, all with the intention of drawing or painting them some day, or using them for inspiration, but never actually doing anything but collecting them. I did attempt something from time to time, but as I have mentioned before when it wasn’t fitting into my idea of what it was supposed to be, I walked away from it, leaving many, many orphaned, half-finished works of art hidden away in my studio. In the last fifty four days since I began this project I haven’t abandoned anything. I do have a few works in progress, and I fully intend to finish them. I also intend at some point to go in to my studio and free the orphans. Take a good look at what I have that is already started and decide what needs to be finished. As for tonight, I made a decision. I will be recycling a great deal of paper. I don’t want to look to anyone else for inspiration. That doesn’t mean I won’t be moved or inspired by a painting, or a photo, but I want to rely on myself for a while. Tonight I looked through my photos. I took this photo in San Diego a few years ago. I couldn’t put my finger on exactly why I loved it so much, but I think Dan hit it on the head tonight. It has a certain nostalgia to it.This photo certainly gave me what I’m looking for, it is my photo, and it is certainly a perspective challenge. It is done in watercolor, ink and pencil. I will say again that I am really pleased with the piece, and myself for not giving in to the temptation of throwing up a road block, despite how I’m feeling.Image

In Sickness And In Health

6 4 (2)Tonight’s post will be a short one. I started antibiotics last night but right now I can barely keep my head up. Enough about that.

I so loved the effect of the wood burner on the table that I decided to play with it again today. I looked in my studio to see what was on hand and found a small wooden box that was painted white. If I remember correctly I was trying to decoupage something on it a few years ago. I did a sketch of some Irises on the lid. When I started to use the wood burner I got a different reaction to yesterday. When I burned the design in yesterday it gave the impression of inlaid Mother of Pearl. Today because there were a few layers of paint on the box, and I think maybe some Modge Podge residue, the design began to rise up on the surface. It still has a beautiful effect. I definitely want to continue down this path and experiment with the technique. I am posting a photo of the unpainted box, and then a second photo where the box has a single coat of paint on it. There is still much work to be done on it. I want to touch up some of the burn marks, as well as add more paint.  I’m not sure if I want to keep the background painted with the same pearl paint as the flowers, or if I want to doing something a little different, possibly black to make the flowers pop. I really wasn’t up to the task today, but I refuse to lay down and not create. Maybe I need a slogan like the post office…through wind and rain, and sleet and snow…I think I’m getting delirious with fever. Better things tomorrow .

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Shedding Weight

Just 24 hours ago I was writing this blog and poking a little fun at myself. One day later and things aren’t so funny. Nothing terrible, but I have strep. I wasn’t feeling great last night, but I worked anyway. Terrible earache and sore throat. I mention how lousy I felt because despite the way I felt last night I made many plans for today. I wanted to work on Jessica’s portrait as well as my table. I didn’t get to the portrait, but every now and then I get really excited about a project, and I felt that way about the table. As I mentioned last night, with many furniture projects I can see the finished piece in my head even before I begin. However, there are those occasions where the finished piece turns out even better than I had hoped. That is definitely the case with this one. With the little bit I finished last night I could see where it was going. So, despite how I was feeling today I finished my table and I really love it.

Therein lies another issue that I am sure every artist runs into from time to time. I love it too much. It is a piece I did to sell, and it will be difficult to let it go. As you might recall the point of this entire project was to gain my identity as an artist, but also to use up the multitude of supplies I own. Art supplies aren’t the only thing I have too much of. We have two garages, one is a single, the other a two car, and they are both full, furniture, unfinished wood, canvas, and various vintage junk that I always planned to do “something” with some day. As much as I love this table it can’t stay. I feel burdened by “stuff”, and am more than ready to let go of it and a lot of the negativity that has been weighing me down not only as an artist, but also as a human being.

The table. I finished burning in the design on the other areas of the table, put on a light coat of stain, and a single coat of Modge Podge for furniture. It isn’t quite dry yet, and will definitely require another coat, but that is for tomorrow, as for now my sore throat and I are going to bed!

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When Have I Suffered Enough For My Art?

It’s OK to laugh now. I mean at me and the things I am about to reveal about myself. In the several weeks of blogging that I have done it has mostly been confined to my artistic troubles. I have let in little glimpses of myself beyond that, but it occurred to me that maybe people might want to read something a little more uplifting, well not exactly uplifting, but it might just give you cause to do that laughing I deemed permissible. For today’s project I decided to work on a small table. I’ll go into the details of it momentarily, except for now to say  that it involved using a wood burner, and it inspired tonight’s blog.

When I was twelve I slit my wrist. Before you gasp in horror let me tell you it wasn’t intentional. Crafty, artistic child that I was, I was in the process of trying to make a present for my working mother. I don’t remember exactly what I was making, but we can all assume it was a project from Highlight’s Magazine, I was an avid reader, and for those of you who are old enough to remember, I still quote Goofus and Gallant. I was cutting a bleach bottle in half with an open blade, it got stuck on the seam so I did what any brainiac would do, I slashed hard at it while holding it in my other hand. My parents were at work, so my big sister put a rubber band on my wrist to stop the bleeding. (She was a freshly turned fourteen year-old, how would she know?) Fortunately my dad came home shortly after that and took me to the emergency room. Two hours later with a butterfly bandage, because it was too late for stitches, and an interrogation by the police officer on duty who I had to convince I wasn’t trying to kill myself, I had for the first time officially suffered for my art. I bring this up because today while using my wood burner I turned to Dan and said that I couldn’t believe my parents gave me a wood burner for Christmas that same year. They gave a burning hot, searing weapon to their daughter, the daughter who accidentally slit her wrist, the daughter who had a gap between her front teeth until she tripped over her sister and smashed her face on the sidewalk, the same girl who can’t tumble, failed swimming lessons, can’t roller skate and didn’t figure out how to ride a bike until she was nine. Did anyone ever get the toy where you poured paint on a spinning device similar to a record player? I got it, spun the paint all over my bed. Stepped on a tube of acrylic paint in my teenage bedroom and shot hot pink across the olive-green carpet. I swear I have no fingerprints, they are all attached to the hot glue that I have had to pull off my burning fingers. My dad’s favorite story to tell about me to anyone willing to listen (and even those who don’t want to listen) is that I failed Phys Ed in high school. It’s true, of course my P.E. teacher is a dead ringer for the witch in the Wizard of Oz, I kid you not, I’ve got the yearbooks to prove it. Then there is of course my six knee surgeries. Tripped over a vacuum cleaner and fell down a flight of stairs, fell off a ladder, (twice) tried to hang a kitchen curtain, you get the idea. (Although Dan said he likes to tell people I did it pole dancing. Which might be possible if I could actually get on a pole) What I want to know is if suffering makes your art better, then why aren’t my paintings at the Getty yet?

Now that you all know just how pathetic I can be, I will tell you where I’m not. I took this five dollar table that I bought at a yard sale and am in the process of turning it into something I love. (I have a before photo. I’m not sure where in my pictures it is right now, but I promise to post it when I put up the finished table tomorrow) I had two ideas for it. One would have turned it into something for a kid’s room, but I went instead with an idea based on a piece of vintage fabric. Dan painted the base black for me. On the top I wood burned a floral design that I am painting with those Martha Stewart Pearl paints I mentioned before. I love, love, love them! It looks like inlaid Mother Of Pearl. I still need to draw two more of the flowers for the top and burn them. It is painstaking and time-consuming, but I love the finished look. When I am finished with the flowers I am going to add a light coat of stain.

It’s been a good day, and I only burned myself once!

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Letting Go Of Perfection

I never know from day-to-day what I am going to create, much less what I will blog about. Both projects are discovering themselves as my day goes on. I will have to be very honest here, both the art and the writing are on the top of my daily “to do” list, but both are the last things I do at the end of the day most of the time. Why? I’m still struggling with putting myself first and letting go of my duties as wife/mother. I’m still making sure the kitchen gets cleaned in the morning, and that there are meals on the table, and every other thing I can think of in between. I’m working on it, but without much success. I will continue to figure this out, and at some point (hopefully) I’ll learn to ignore that the floor needs to be swept. (Disclosure: I can’t eat at those restaurants where they have rude wait staff and peanut shells on the floor. I cannot stand rudeness, and absolutely cannot eat in a place that has a dirty floor. I don’t know why I feel the need to share this, except that maybe it lets you know me just a little better. One might think by reading that, that I am a neat freak. Far from the truth. My house is clean, very clean, well at least as clean as a house with three cats and a twenty-two year old male can be, but I’m messy. I think I mentioned that before, I mean the me being messy part, again for no particular reason…)

I brought all of the above up because I (as regular readers might know by now) am struggling with not being good enough or perfect in my art. Tonight I had a little breakthrough. I didn’t work earlier today because of anything more than it was really hot here today, and unusually humid. Hot plus humid equal lethargic for me. I just wasn’t in the mood. Not that I didn’t try. I made a few pathetic attempts at something with clay, and although I promised to put up all work, warts and all, I didn’t even come up with something I could photograph even as an attempt. So at the magic hour of seven p.m., which seems to be turning into my starting time, I began a watercolor painting. My breakthrough was that I didn’t sweat it at all. When I do a rough sketch for a painting I worry over every little detail. I measure and fuss over the drawing being just right. I didn’t measure tonight. I just sketched, and then I just painted. In a moment I had the thought that the reality is, unless I am painting a well-known monument, the people who see my work are more than likely to never see the photo I use as inspiration, or into my brain to see where ideas spring from there (God forbid!). I started out tonight feeling like I was doing homework again, but then I relaxed, I let the process and my enjoyment of it take over. The finished project, a watercolor and ink inspired by a photo I took in Carmel, California, isn’t perfect. The perspective isn’t perfect. I am not perfect, and I’m learning to be content with all of it.

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Art Of A Different Sort

Tonight I have a strange one. Jessica’s portrait is still too wet to touch, so I decided to begin work on another project. When I began the 365 project I had planned on focusing on finer art. Today’s project is more of a craft, but there are some crafts that are truly artistic. Earlier in the week I posted a photo of some fairy wings, and mentioned the fairies that I have sold so many of in the last several years. I have for some time wanted to take that project a little further. The fairies I create are painstaking, I spend so much time on the details of them with the exception of one thing. Their heads are wooden beads with a dot of an eye painted on them. They are truly beautiful, and people love them, but I want to make them more individual. Today I sculpted some heads out of clay for the fairies. Sounds simple, but it was a pain in my….Anyway, I made them with Sculpy, baked them in my oven and then painted them. The paint needs some fine-tuning, I painted them in the dark in my garden (because I want to go blind), but they took me a couple of hours to create, and I am quite happy with their faces. I made two, one meant to be an elf, the other a fairy. The object is to make a mold of the faces so that I can reproduce them. It wouldn’t be cost-effective to individually make each face. I would use a flesh-colored clay, and only have to add lip and eye color. If it works out as I hope, then I will possibly do a few different expressions. I may try to finish a fairy by tomorrow and post photos of old and new for comparison.

While rereading what I have just written, I see that I am a little defensive about this project. I guess in a way I have a problem with the word “craft”. I have done so many of those church shows, and honestly never fit in. Not that there isn’t some good work at those shows, but I always thought I could be more than just a church show craft artist. I have had people approach me at shows to ask why I’m there, and tell me don’t belong there. I just never believed enough in myself to try for more. I’m beginning to change my opinion of myself.  I do good work, craft show or not, and believe me it isn’t easy to sculpt a face as small as these. I photographed them next to a pencil for scale. I’m actually excited to see a finished one.

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A Scene From The Wonderful Day

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I decided to make an addition to tonight’s post. I wanted to share my inspiration.

A Wonderful Day

I had a wonderful day today. We decided to head out for a hike in Torrey Pines State Reserve this morning. It is in La Jolla, California, near San Diego. The trails run alongside the Pacific, and it is spectacular. Very inspiring to say the least. I took more than two hundred photos.  I thought about painting one of them, but I have been anxious to get back to the portrait of Jessica. I am still working on blocking in and building color. As I have mentioned before I feel like my work lacks texture, appearing very flat. The last few paintings I’ve done are better. I want to do the same with this one. I also want to take my time and build it slowly. I was pleased with the progress that I made today.  Although I did find myself adding too much paint and muddying it in the process. I have again put the painting aside for a few days. I am also working on my patience. In the past I would have rushed to finish this painting. I’m not really sure about how, or why I do that. To do the kind of work I want to do I need to learn to slow down and take my time with it.

I also did a little watercolor of a lemon, really for no other reason than I felt so inspired by our morning. I find walking so relaxing, and doing so in such a beautiful place left me feeling stress free and more than happy to get back to painting. Now if I could only live right there…5 30 5 30 2 (1) 5 30 2 (2)

Finding Solace And A Lifeline In Art

I had intended today to return to the full figure painting of my daughter, but as usual I got side tracked. Nothing horrible, but something I had intended to follow through on years ago.  Six years ago on  July 22, my Mother died. In the horrific three weeks that she spent in ICU, I passed the time by painting and drawing. I did a series of small, 5×7 paintings that I hung around her hospital bed. All of them painted with her in mind, two of them depicted the area in Southern California where I live, both inviting her to visit when she recovered, which of course she never did. There were two others, a get well card signed by all of us, my Dad, my three sisters, all of our husbands and her eight grandchildren. The other was a vase of sunflowers. I wanted something pretty for her to see when she woke. She did wake, but had sustained a brain injury, so our Mother, as we knew her, was gone. When she passed away and we were taking her things from the hospital, my Aunt Rita asked me if she could have the painting of the sunflowers. I said I would send it to her, I never did. I had intended to mail it as soon as I got home to California from Chicago, but I couldn’t send it. It was one of the last things I did for Mom, and I hoped that on some level she knew about it. I was recently messaging with my cousin Lorna. She has been wonderfully supportive of this artistic and self-searching journey I am on, she is also Rita’s daughter. It reminded me of that painting and I told Lorna I would send it to her Mother.  Two of the other paintings are hanging in my studio, the get well card is framed at my Dad’s house. I have looked for the last several days for the sunflowers and I can’t find it. I know it was there, it has been for six years. Dan said that maybe I’m not supposed to give it away. So today instead of working on Jessica’s portrait I worked on something to send my Aunt Rita. Something pretty, something I hope she will like.

All of the above got me thinking about how often in my life I have taken refuge in my art. As I have pointed out in my earlier writing, in all the years I neglected myself I always did something creative. It has always been my lifeline. As a painfully shy child it was my companion. When my Dad has had surgery, and there have been a few open heart surgeries, I am at the hospital with my pad of paper, pencils and watercolors. I take those same items with me whenever I travel. I don’t sleep well away from home, and I will sit on the floor of a hotel bathroom, drawing in the middle of the night. When I had my last five knee surgeries (I know…you don’t have to say anything), I prepared for them by organizing my “art cart”.  A three drawer plastic cart on wheels, each drawer filled with pencils, markers, paper, paints, and whatever else I can think of, all to fill my recovery time. Propped up on the couch, painkillers and ice close at hand, I ask my family to wheel over my supplies. I am never bored when I have something to create with, and I can create with just about anything.  When my Mother died I came back to California and made a small piece of art dedicated to her. For me art is so much more than what you see on the paper, on the canvas, in the photo, or the sculpture. It is my lifesaver, my friend, my rock, my comfort. I am only sorry that it has taken me so long to appreciate the gift I have been given. And sorry too that it has taken me six years to fulfill a promise.

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A Not So Original

Back to full size art! A busy weekend didn’t allow for a lot of time for art. I’m going to pat myself on the back once again for following through on my project. The art may have been small, but I still managed to get it done.

Tonight I decided to work on something that has been on my “to do” list for quite a while. Among my collection of vintage tins is one that I have wanted to reproduce. I love the design on the tin, but it is small, and I’ve always thought I would love to see it enlarged. I wanted to create my own version, one based on the original but not an exact replica. It isn’t something I make a habit of. I have great respect for the work of other artists. This is a project just for me, to hang in my own house. I actually had a long-standing argument with a family member about piracy. The livelihood of so many people can hinge on the work of one person. My argument has always been that I wouldn’t want someone taking my work without giving credit or compensation. I have noticed the work of a few bloggers with copyright posted on it. It is unfortunate that we can’t trust each other enough.

I hope as time passes with this blog to begin to sell my work. Selling has been a sore point for me. I have worked so little in my life that selling a painting is like giving up a child for me. And as I need to remind myself, the point of this project is to clean out my studio as much as it is to produce work. As it stands right now my portfolio is full, and as for wall space in our house, it is almost nonexistent. My son still lives at home, so I have no “empty nest” issues as of yet, but I guess just as I steel myself up for Brian’s departure, I must also do the same when it comes to selling art.

The design on the box is by Henry Clive. I’ve owned this box for years and never really looked at the signature before. I did an internet search of Mr. Clive and have found another artist and illustrator to love. I really had no idea. So with a nod to Mr. Clive, here is my watercolor of his design.Image