Up To My Old Tricks

When I began this blog I wrote about how shy I was as a child. There is still a lot of that inside me. I think it is why I enjoy solitude so much, and that more often than not my paintings, and photography reflect that. People who know me now are often surprised when I claim to be shy. I work really hard at being friendly. When you are a shy child, and particularly one who is the brunt of all the grade school jokes, you learn compassion. Dan knows that if we go to a party I will find the loner in the corner and stay there for the night. I cannot stand to see anyone lonely, or to sense that someone else is struggling, I need to help them. When I was in high school I was forced to take a speech class. I dreaded it. Speaking in front of a single person can be difficult enough, put me in front of a crowd and I’m terrified. At the end of the semester we were required to stand on the stage in the school auditorium and make a speech. The subject matter could be anything we wanted, the only restriction was the amount of time. For weeks leading up to it my stomach was in knots. I didn’t know how I was going to get through it. I came up with a plan. The first thing to do was to pick a subject for my speech that I was familiar with. I chose Wicca. It was an interesting choice, considering that I was at an all girl Catholic high school run by Benedictine nuns. I  had an interest in witchcraft, nothing to speak of, I think for the most part it had to do with my childhood fascination with Bewitched, and my all-time favorite movie, “The Ghost and Mrs. Muir. Fortunately, the speech teacher was a lay teacher, a man, and he didn’t seem all that upset with my choice. I knew we would be required to look up as we spoke and not check our notes too often. That part was easy, I knew my subject well. I talked off the top of my head for the entire speech. The hardest part was facing the crowd, well a crowd of about twenty-four. On the few previous occasion when I spoke in class, my classmates had to critique me. Every single time they pointed out that as I stood there choking out words the podium was shaking. The night before the speech I was really nervous, and of course like most kids, trying to figure out what disease I could possibly come up with on a moments notice so that I wouldn’t have to go to school the next day. Nothing worked and the moment was at hand. Then a brainstorm. I’ve been wearing glasses since I was thirteen. Blind as a bat. All I had to do was to take off my glasses, from the auditorium stage I couldn’t see my audience. I big blob of color. I was still nervous, and I did shake a little. The speech went well. My teacher said it was good, just a little unorganized. Not bad since I didn’t really write one.

That brings me to today’s painting. I have mentioned before that I love Impressionism. Strangely enough since I have the perfection issue. The thought occurred to me that all I need to do is to take my glasses off. Trust me, the world at large is one giant Impressionistic scene when my glasses are off, and as long as I’m going down this road I am doing my own waterlilies. A photo taken in Giverny in 2009. I have to admit I’m struggling as I look at it. I do believe I may be revisiting this one. Image Do you think it’s possible that there would have been no Impressionism if eye care were better in Monet’s day?

Following Through

6 7 (3)I spent the day working on following through on projects that I had already begun. Part of my artistic history that I am working to change is to finish things. So much unfinished work hiding in the studio avoiding judgement. So many years that I hid behind the words “I’m not finished”. That way when anyone saw my “not good enough work”, I had an out. I no longer want and need the out. I’ve walked through art fairs, museums and paged through art magazines and seen work that I love. So much of it is simple, uncomplicated, without the kind of perfection that I expect of myself. I see color that I am in awe of, or works that evoke feeling, it’s what I want to get to in my own work. To free myself of the weight of my own expectation. To learn to just let the creativity flow and watch what happens. To stop sitting in judgement of myself and create for the sheer pleasure of it. In a few days I will reach the two month mark with this project. I am seeing and feeling a difference in my work. I have not however, learned to put my work first. I am still on many a night scrambling at the end of the day for a project. It took far too many years for me to begin this journey, and I know I can’t expect everything to change over night. I told my son not long ago that I didn’t want to be “mad” at anyone anymore. Life is too short. I think I need to take that to heart for myself, to be a little kinder to me. I also need to make myself and my work a priority.

I did more work on the Iris box. It still isn’t complete, I’m waiting for some antique stain on the top to dry. I am also experimenting with something I read about on Pinterest. It is a technique to turn regular printer paper copies of my work into canvas prints. I am posting one of a painting I did based on a very old botanical drawing. I had some success with this first one, but I tried three others that were not quite as successful. I wasted a lot of time and materials. I’m not giving up. I like the first one, so I’ll have to try again tomorrow.6 7 (16)

When Have I Suffered Enough For My Art?

It’s OK to laugh now. I mean at me and the things I am about to reveal about myself. In the several weeks of blogging that I have done it has mostly been confined to my artistic troubles. I have let in little glimpses of myself beyond that, but it occurred to me that maybe people might want to read something a little more uplifting, well not exactly uplifting, but it might just give you cause to do that laughing I deemed permissible. For today’s project I decided to work on a small table. I’ll go into the details of it momentarily, except for now to say  that it involved using a wood burner, and it inspired tonight’s blog.

When I was twelve I slit my wrist. Before you gasp in horror let me tell you it wasn’t intentional. Crafty, artistic child that I was, I was in the process of trying to make a present for my working mother. I don’t remember exactly what I was making, but we can all assume it was a project from Highlight’s Magazine, I was an avid reader, and for those of you who are old enough to remember, I still quote Goofus and Gallant. I was cutting a bleach bottle in half with an open blade, it got stuck on the seam so I did what any brainiac would do, I slashed hard at it while holding it in my other hand. My parents were at work, so my big sister put a rubber band on my wrist to stop the bleeding. (She was a freshly turned fourteen year-old, how would she know?) Fortunately my dad came home shortly after that and took me to the emergency room. Two hours later with a butterfly bandage, because it was too late for stitches, and an interrogation by the police officer on duty who I had to convince I wasn’t trying to kill myself, I had for the first time officially suffered for my art. I bring this up because today while using my wood burner I turned to Dan and said that I couldn’t believe my parents gave me a wood burner for Christmas that same year. They gave a burning hot, searing weapon to their daughter, the daughter who accidentally slit her wrist, the daughter who had a gap between her front teeth until she tripped over her sister and smashed her face on the sidewalk, the same girl who can’t tumble, failed swimming lessons, can’t roller skate and didn’t figure out how to ride a bike until she was nine. Did anyone ever get the toy where you poured paint on a spinning device similar to a record player? I got it, spun the paint all over my bed. Stepped on a tube of acrylic paint in my teenage bedroom and shot hot pink across the olive-green carpet. I swear I have no fingerprints, they are all attached to the hot glue that I have had to pull off my burning fingers. My dad’s favorite story to tell about me to anyone willing to listen (and even those who don’t want to listen) is that I failed Phys Ed in high school. It’s true, of course my P.E. teacher is a dead ringer for the witch in the Wizard of Oz, I kid you not, I’ve got the yearbooks to prove it. Then there is of course my six knee surgeries. Tripped over a vacuum cleaner and fell down a flight of stairs, fell off a ladder, (twice) tried to hang a kitchen curtain, you get the idea. (Although Dan said he likes to tell people I did it pole dancing. Which might be possible if I could actually get on a pole) What I want to know is if suffering makes your art better, then why aren’t my paintings at the Getty yet?

Now that you all know just how pathetic I can be, I will tell you where I’m not. I took this five dollar table that I bought at a yard sale and am in the process of turning it into something I love. (I have a before photo. I’m not sure where in my pictures it is right now, but I promise to post it when I put up the finished table tomorrow) I had two ideas for it. One would have turned it into something for a kid’s room, but I went instead with an idea based on a piece of vintage fabric. Dan painted the base black for me. On the top I wood burned a floral design that I am painting with those Martha Stewart Pearl paints I mentioned before. I love, love, love them! It looks like inlaid Mother Of Pearl. I still need to draw two more of the flowers for the top and burn them. It is painstaking and time-consuming, but I love the finished look. When I am finished with the flowers I am going to add a light coat of stain.

It’s been a good day, and I only burned myself once!

ImageImage

 

A Wonderful Day

I had a wonderful day today. We decided to head out for a hike in Torrey Pines State Reserve this morning. It is in La Jolla, California, near San Diego. The trails run alongside the Pacific, and it is spectacular. Very inspiring to say the least. I took more than two hundred photos.  I thought about painting one of them, but I have been anxious to get back to the portrait of Jessica. I am still working on blocking in and building color. As I have mentioned before I feel like my work lacks texture, appearing very flat. The last few paintings I’ve done are better. I want to do the same with this one. I also want to take my time and build it slowly. I was pleased with the progress that I made today.  Although I did find myself adding too much paint and muddying it in the process. I have again put the painting aside for a few days. I am also working on my patience. In the past I would have rushed to finish this painting. I’m not really sure about how, or why I do that. To do the kind of work I want to do I need to learn to slow down and take my time with it.

I also did a little watercolor of a lemon, really for no other reason than I felt so inspired by our morning. I find walking so relaxing, and doing so in such a beautiful place left me feeling stress free and more than happy to get back to painting. Now if I could only live right there…5 30 5 30 2 (1) 5 30 2 (2)

A Not So Original

Back to full size art! A busy weekend didn’t allow for a lot of time for art. I’m going to pat myself on the back once again for following through on my project. The art may have been small, but I still managed to get it done.

Tonight I decided to work on something that has been on my “to do” list for quite a while. Among my collection of vintage tins is one that I have wanted to reproduce. I love the design on the tin, but it is small, and I’ve always thought I would love to see it enlarged. I wanted to create my own version, one based on the original but not an exact replica. It isn’t something I make a habit of. I have great respect for the work of other artists. This is a project just for me, to hang in my own house. I actually had a long-standing argument with a family member about piracy. The livelihood of so many people can hinge on the work of one person. My argument has always been that I wouldn’t want someone taking my work without giving credit or compensation. I have noticed the work of a few bloggers with copyright posted on it. It is unfortunate that we can’t trust each other enough.

I hope as time passes with this blog to begin to sell my work. Selling has been a sore point for me. I have worked so little in my life that selling a painting is like giving up a child for me. And as I need to remind myself, the point of this project is to clean out my studio as much as it is to produce work. As it stands right now my portfolio is full, and as for wall space in our house, it is almost nonexistent. My son still lives at home, so I have no “empty nest” issues as of yet, but I guess just as I steel myself up for Brian’s departure, I must also do the same when it comes to selling art.

The design on the box is by Henry Clive. I’ve owned this box for years and never really looked at the signature before. I did an internet search of Mr. Clive and have found another artist and illustrator to love. I really had no idea. So with a nod to Mr. Clive, here is my watercolor of his design.Image

A Short Note

Early post tonight. I actually did two small projects this morning, and then spent a lovely Memorial Day…cleaning the garage for six hours. I actually had planned to do something else, but quite frankly I’m exhausted.

The first project is another artist card size drawing of an apple. It was a simple drawing exercise I gave myself to do. I need to work on shading and perspective. The other is also an artist card size, but for an entirely different project. I have for years been making fairies. I’ve sold hundreds of them, usually around Christmas. I have decided to continue doing so this year, but have some ideas for making them even more artistic. I designed some wings which I plan to print on vellum. Once I have a finished fairy I’ll put up a photo.

No philosophizing about my artistic life tonight, no “woe is me”, just a very tired woman who needs to relax.

ImageImageImage

Good Things Can Come In Small Packages

5 25I have to admit that there was so much I didn’t take into account when starting a year-long project, particularly one that requires writing and the creation of a piece of art each and every day. I know that I have touched on this before, but life got in the way again today. It’s a holiday weekend, we had friends and family over today, and so I find myself once again rushing to finish something for my blog. I seriously had several false starts. It seemed as though I wouldn’t get anything done for tonight, and as tempting as it might be, I refuse to put up older work unless I am near and dear to my bathroom floor (which I was, by the way, last week). I feel like I’d be cheating myself if I did, and I have been cheating myself for far too many years. Not every project has to be a big one. Just creating is the idea. I mentioned the 365 Project when I started this, and the tag line on that book states, “Do something creative every day and change your life.” It is so true. Here I am not even two months in and I can feel the difference. Like so many artists, and more so, so many women, I don’t place enough value on myself and what I do. That is changing, I’ve learned a lot about myself in ways I never considered. I’m so excited about the months ahead, wondering where this journey will take me, and anxious with anticipation to see what work I  will produce.

Back to the subject at hand, life getting in the way of my project. I realized tonight that there might be days ahead where it will be difficult to get my work done. There are birthdays, and our wedding anniversary, and other holidays, all of which will require my attention elsewhere. I guess I will just try to take them as they come and hopefully still be able to create a little something. I did just that tonight. From a photo outside Claude Monet’s house in Giverny. I saw a gardener standing still studying the garden and took a photo. It is a photograph that I would like to paint some day, but for tonight a pencil sketch on an artist card. It is only a two and a half by three and a half-inch drawing, but this one I love. I captured the essence of that moment.  It took me back to Monet’s garden, and our journey there. We took the train from Paris to Vernon, and chose to walk the rest of the way to Giverny instead of boarding the bus with the other tourists. The air was filled with the fragrance of  flowers, and each cottage and garden we passed was more beautiful than the last. When we finally saw Monet’s house and garden, I turned to Dan and said, “How could you live here and not paint?” Now I have to ask myself, “How could you have been there and waited so long to paint?’

It was one of ten days in France with the one that I love, and that makes this little piece of art priceless.

Gaining Vision

Sound the alarm! I actually read one of the many, many, many art instruction books that I own (Well not the whole thing, just the part I had a question about). I did that because I also returned to the full figure painting of my daughter that I began several weeks ago. The same one I have been avoiding like the plague. I really liked the way the initial sketch was looking on the canvas. I also for the first time with a painting have a vision of what I hope the painting will look like when I am finished. That is a giant leap for me. For years I complained that I couldn’t get what was in my head onto the canvas. I really think my mind was so bogged down with all the nonsense of not being good enough. I really feel like my artistic vision is developing. I’m not going to post the painting yet. All I did today was some color blocking, and honestly it looks a little creepy at the moment. It actually looks like a portrait of one of the kids from Village Of The Damned. But proportionately it looks good, and I can see my daughter’s face emerging. I still wanted to have a piece of art to post this evening so I played around with my watercolors. A photo of my garden provided inspiration. It’s a little abstract, but I love the color, and I enjoyed painting it. I did it just for fun, which was actually quite nice. I really feel like I’m moving ahead. I’m not getting as stressed about what I’m working on. One of the benefits of working every day I guess. When I started this blog I used words like pressure and homework. I will admit that there are days when I have fleeting moments of wishing I hadn’t gotten myself into this, but they don’t last long. I think this blog and its accompanying artwork is one of the best things I have ever done for myself. It’s about time.Image

The Season

It’s Autumn

But the leaves

Have yet to fall.

The time is now,

Opportunity is in my waiting hands.

The frost of Winter

A distant expectation.

Mother Earth at her voluptuous best,

Ripened fruit,

Lush with knowledge.

Now is the time of realization,

Seeds of Spring

Long since grown,

Summers promise

At last fulfilled.

Now is the time

Before Winter’s harsh wind

The harvest of self,

To reap reward,

To be at last,

What I was meant

To be.Autumn (1)

 

 

 

 

 

Yesterday’s thoughts, today’s project, watercolor and ink.

Regaining Lost Ground

I’m back, not 100% to say the least.  Very, very bad reaction to some medication, I think it may take a few days to feel better. That being said, I managed to create not one but two pieces today. Dan asked if I felt like I had to do two pieces since I lost the day yesterday. My initial reaction was to say no, but I think deep down maybe I did feel something. As much as there have been those days when I felt pressured, or an obligation to this project, or felt like it is an unwelcome chore, I have gained more than I imagined from it. I have an old leather portfolio, I’ve had it for more than thirty years, and up until the last few weeks it  didn’t have much in it. It isn’t that I haven’t worked at all, I have always kept a toe in the water, but never in my life have I worked this consistently. My portfolio still had work from high school in it. The plastic sleeves are cracked, and the zipper isn’t what it used to be, but I have aged as well. I could go buy a new one, but this portfolio has been waiting for an awful long time to be filled, almost as long as me. Each day I feel more and more authentic in my work, and each night as I slide a finished piece into my portfolio I find myself feeling happy that I haven’t given up. I find myself excited at the prospect of what lies ahead for me and my art. I am taking one day at a time, each day looking through my studio to decide what to do today. I also realize that as I look around my studio that it would take far more than a year to use up all the materials that I have. What no longer seems overwhelming is all of what I own. I will use it all. There may be days in the future like today where I produce more than a single piece of art. I feel as though the chip on my shoulder is fading away. I am no longer focusing on what I can’t do, but rather what I can.

I saw a photo in the New York Times that I found very appealing. It was of a couple of ballerinas, one of which had her back to the camera. I loved the line of her body. I have mentioned that figure drawing is something I haven’t done much of. I jumped right in again and did a watercolor. There are a few sections of it I would like to redo, but watercolor can be an unforgiving medium, so it stays as is. I still love it. My second piece is a pastel. On a drive home from Arizona last year I took some beautiful photos that I wanted to paint. I had a box (unopened) of some soft pastels. A medium I am still not used to using. I like the way the light fell in the photos on the hills, and I’ve managed to capture it fairly well.

ImageImage