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Self Esteem By The Numbers

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I seem to be on a recurring theme these days, but I did something yesterday that made me question just how much I believe in myself. As I said last night I had a little battle waging in my head between my “not good enough voice” and my inner cheerleader. (I am so not a cheerleader, quite frankly I lack a certain amount of enthusiasm, but that is a topic for another day.) I thought that I had to a certain extent conquered my feelings of inadequacy, but I was wrong. I put a piece of work on etsy yesterday. It is part of the fairy making I do. I hesitate to call it a craft, I think of it as art. Don’t get me wrong, I have great respect for craftsmen and women. I think the word “crafter” has gotten a bad rap. Unfortunately thanks to shows of a certain caliber, crafting is far too often associated with items such as my most hated craft, the crocheted toilet paper roll cover. (I just had a visual image of one and cringed) I know there is a market for these kinds of items, I think it may involve blue hair of some sort, but I cannot think of a ….I’m sorry, I have no words. I feel that strongly about them. To get back to my point, there are many fine crafts people, people with envious skill and talent, and their work is art. I hereby decree that artists and true craftsmanship be one and the same. (I can do this because I should be ruling the world) My piece is a fairy playground. It took vast amounts of creative imagination, hours of intricate work, and numerous hot glue burns to create it. When I began to list it on etsy the doubt began to creep in. Materials ran me roughly twenty-five dollars. I originally thought to list it at $100, its one of a kind, unique, it’s art, but then “not good enough” spoke up. “No one will pay that much.”, or “It only cost you $25” (not including the day and a half labor). I’m sure you get the idea. I listed it at $65. When I told Dan he said I was crazy. Later in the evening I went back on etsy. I didn’t sign in, I just wanted to see how long it would take me to find my item in the search engine. I came across a fairy house created by another artist. No fairies, just the house. It was more than three hundred dollars. Yikes! Those must be very rich fairies, like Trump fairies. It was beautiful, but I couldn’t believe the price. Then I thought to myself, “This woman values herself, and her work.” I showed it to Dan, and then I raised my price to $95. When I told my saga to my daughter this morning, she too pronounced me crazy, and said $95 is too low. I haven’t changed it, but it did get me wondering about the connection between my pricing and my low artistic self-esteem. I always under price myself. So I guess I have to ask myself just how much my self-esteem is worth?

Something a little different tonight. Theresa gave me a pot of beautiful little daffodils today. I was out most of the day, so I decided to do a quick watercolor of them. I really didn’t care for my finished painting, but then I began to play with the Photo shop filters. I found several that I liked, suddenly I didn’t think the original was so bad. I’m going to post the original, one with a poster edge filter, and an eggshell crackle finish. I’m not sure which I like best.

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3 4 14.JPG poster edges3 4 14 egg shell crackle

The Positives

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Last night I said I would look at my work over the last (almost) year to find the positives. I am horribly hard on myself. As I said last night criticism sticks in our brains, it’s a scientific fact. What the piece about criticism I watched on Sunday Morning failed to address was whether our own criticism of ourselves sticks as well. I am here to say in my own private not so scientific study ( which means I talked to myself, Dan and our friend Lori), we do hang on to our own criticism. I think we are harder on ourselves than anyone else. But that begs the question why? Are we innately self-critical? Or are we the product of societies influences? Obviously mass media has a great influence, as do our parents, our friends, our teachers, the list could continue. How does it start? I again will make assumptions. My Mom spoiled my Dad horribly, I think Dan would be happy to agree that I do the same thing. I learned it from my Mom. My Mom was also very insecure…ditto. I knew that as I headed into motherhood. I tried my best to instill confidence in my kids. Did I succeed? Yes and no. Why? Because my children grew up watching me. I was very nobly self-sacrificing, not such a good example to set. That is why I am now on this journey of self-discovery that I should have been on twenty years ago. (Kids, if you’re listening, take time for yourself. Giving all of yourself away no matter how well-intentioned sets a terrible example, and in the end everyone pays.)

Has anyone noticed that I’m avoiding the question at hand? The homework I assigned myself? In my defense I will again explain the Catholic thing. I feel guilty if I feel like I’m bragging. If my history serves me right the original verse reads, Our Father who art in heaven, guilt is part of the game, Thy forbids some fun…oh come on, I’m just kidding. ( I’ve served my time, thirteen years of parochial school, I’m entitled.) Anyway, here goes….

I have discovered that I have a real talent for pen and ink.

My work is so much more alive, more textured, richer. I discovered how much I enjoy working with just a palette knife.

I’m actually finishing pieces. For so many years I left work half done in fear of being judged. This is one where I still struggle a bit, but again, acknowledging the problem is part of the solution.

If I actually take my time (and give myself the time) I can do some really nice work.

I’ve heard so many people say how hard watercolor is. I find it incredibly easy and enjoyable.

That very nasty word, perspective. It’s getting better, and more than that, I’m getting less hung up on it.

My biggest accomplishment is that I no longer feel like I need to be a human copy machine. Art is meant to be expressive, not replace a photograph.

These days I’m struggling on so many levels because of other stuff going on in my life, but I’m still doing this every single day.

As I try to write these positives, I find the little voice on my head saying, “But what about….?” The voice of “Not good enough” is making a case for herself, dropping negative bombs in my brain. Not today. Enforced self-esteem, that’s what I need.

Tonight a watercolor. New issue of Country Living arrived in the mail, this painting is inspired by a photo in the magazine.3 3 14

Learning To Let Go Of The Negative

Last night I wrote about believing in myself, and how we should remember that while some people might not like our work as artists, others do. We all tend to hang onto the negative, we remember the bad stuff. Dan and I have talked about this with our children. Their recollections of incidents are vastly different of ours. Careless or meaningless remarks made by us were words that they seem to have taken to heart. This morning on CBS Sunday Morning there was a piece about criticism. It seems that our brains are actually geared this way, that our ancestors had a built-in self-preservation system. They remembered the things that were bad or dangerous in a particular part of the brain in order to stay safe. It evolved into an area that processes negative thought. In other words, we hang onto the bad stuff by nature. It shapes who we are. (I’m loosely describing the story, but its worth checking out.) When the piece finished airing Dan and I had an interesting discussion about what we remember from our own childhoods. We both remember many negative incidents, things our parents said or did. When we though about it, we really couldn’t remember as much of the good as the bad. The negative things definitely made the stronger impression, the more lasting memories.  I’ve thought about it today. I think finding that piece of information out might actually help me in my struggles. Maybe if I concentrate on focusing on whats good about my work, understanding all the while that those negative thoughts are part of who I am, I can change that within myself. I’m not foolish enough to think that I can change thousands of years of evolution, but I’ve always thought that being aware of a problem is half the battle. The power of positive thinking. We’ve all heard those words. I think I’m giving myself some homework. All of the work I have produced for this blog is in one file in my computer. I’m going to look back at it tomorrow. I’m going to make a list of the positives I see. Funny, but it automatically just entered my mind to list the negative as well. I’m not going to do that. This is an assignment to change my thought process. Results tomorrow.

I didn’t produce any art today except in my kitchen. Academy Awards are known around here as my Superbowl. Our kids, our friends, good food and fun. I’m posting a piece from awhile ago. Mary Cicely Barker, who I may have mentioned in the past, is an artist who painted the “Flower Fairy” characters. A few years ago I began mixing my painting with her work. This is a checkerboard tabletop I painted and then decoupaged with her characters. Its sitting on top of another table because I haven’t been able to find the right legs for it as of yet. I’ve been giving serious thought to contacting the estate to gain permission to do one of a kind pieces. That again is something I keep putting off.IMG_5782

Following The Thread

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Believe in yourself. That has been my journey in the almost year since I started my blog. I didn’t begin with that as the intent. I actually don’t think I had anything in particular in mind when I began, only inspired to start a 365 day project, I forged ahead. Today I was reading through posts of some of the blogs I follow and throughout I began to see a thread that connects us all. Self doubt, and far too many that mentioned fear of rejection. Are we so programmed from birth to fit in that we fear that what we do, what we create, doesn’t fit? I looked through some art today as well. Some of it I didn’t care for. Does that make it bad art? I used to argue with my son about music taste. There was a time when he was quick to condemn music he didn’t like, he criticized others for liking what he didn’t. I always held to the argument that everyone is entitled to their opinion. Just because I don’t like a song doesn’t make it a bad song. After reading through the posts this morning I looked at some of my own, both art and writing. I realized that I was in many ways rejecting myself. I almost wrote a comment today to someone else, but then I saved it for myself. A little bit of advice that I was about to lay on another struggling artist, that is until I realized that there was some wisdom there for me. “There will be those who love your voice, as much as there are those who won’t.” I need to believe in my work, to stand by what I do, to understand that rejection is nothing more than the opinion of someone else.

There is a little story behind this piece. I spent the entire evening working on something in clay that broke as I was painting it. I had no project for today. Dan suggested putting up the broken pieces. I couldn’t. I grabbed a couple of things, not sure what to do. I painted a little on a mirror. Not feeling it. A board. Nope. I began to play with my pearl Martha Stewart paints on a small canvas.  Brushing on, wiping off, brushing again, not sure where to go, and then a break though. Break Through will be the name of this piece. I was pulling paint away and began to see something. I was talking to my Dad earlier. Another snowstorm in Chicago. I had been thinking about Spring trying to break through the snow and ice, and here it was in front of me.  Ice and snow, and color, that is Chicago in the Spring.  Memories of the purple crocus popping through the retreating snow.3 1 14

 

 

 

 

 

My Constant Companion

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Still in the process on the window projects. They are both turning into another of those pieces that I put far too much into with no hope of ever selling them and paying myself anything for my time.

I decided tonight to return to doing a little fine art for a project to post. A solitary figure in watercolor based on a rather out of focus photo of my son Brian’s performance as the town drunk in a high school production of “Our Time”. I think I was inspired by a conversation that Dan and I had earlier this evening. We talked about ourselves now that we are officially “empty nesters”, and are now alone. I had been talking to my Dad. He is eighty-one and living in an independent living home. It has been nearly seven years since my Mom died, and in those seven years my Dad has been desperately lonely. He made a few half-hearted attempts at seeing other women, but it never felt right to him. I call him every night, and have done so for the last seven years. I hate the idea of his loneliness. He is in Chicago and I am in California, the phone calls are the best way I can help him. He has often said that for him loneliness is the worst disease a person can have. I have to agree. I have spent a great deal of time alone in my life. The difference in my Dad and myself is that while he is a very social person, I am the opposite. I am a very solitary person, someone who enjoys quiet, and doesn’t mind being alone. I have always said that there is a difference between being alone and being lonely. The truth is that I’m never really alone, I always have one companion, my art. I quit work twenty-four years ago to stay home and raise my children, and yes there have been times when I’ve been very, very lonely, but my salvation has always been my creativity. Without art, without creative expression, I think I might have lost my mind. I never really worked on my art, on the kind of art I wanted to do, but I used the gifts I have to do things for my children, to design my home, and to do the occasional craft show to contribute to our holiday spending. I’ll never regret spending the time with my kids (who are by the way, two pretty spectacular human beings), I do regret not giving myself a little love and attention along the way. I will always be grateful for the lifeline that kept me sane, gave me personal moments of joy, and I think gave my kids a rather special childhood. Art and creativity is so much a part of who I am, it’s been my place to hide, my place to express happiness, and my best friend when I had no friends. Now as I near the end of this year-long project I realize that I need to work a little harder to honor my companion, my talent, and continue to push myself to go far beyond this year, to realize my potential while I still can.2 17 14

Who I Am

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I think I was born with a “No Compete” clause. I have no competitive edge, none. It doesn’t mean that from time to time people don’t annoy me enough to make me want to prove something, that is a whole other animal. Maybe that’s why I shy away from promoting myself. A few things brought this to mind tonight. First on the list is that I happen to be watching some of the Olympic coverage. I marvel at the athleticism. (We all know by now that I have none.) In college I had switched majors to advertising, a young and stupid move. Not that I couldn’t have produced some fabulous ideas, I come up with some pretty amazing ones all the time, if I do say so myself. It’s just that there aren’t too many careers as competitive as advertising, I’d have been eaten alive, unless of course someone pissed me off, then it’s game on. There was also a conversation that I had not once, but twice today. I have three sisters, when everyone starts to talk I quiet down. With Dan’s family, everyone talks over one another. They are quite good at it, and amazingly all know what the others are saying. I’m not loud enough for that. I don’t even try. Another reason is that last night a friend (well-meaning of course), wanted to know how to post a comment on this blog to tell the world how (her words) AMAZING I am. While I very much appreciate the sentiment, I would be mortified if someone wrote that. This isn’t a self-esteem or self-confidence issue. I am old enough to realize it’s OK to say that I’m talented without feeling like I’m bragging. It’s a fact, I do indeed have a lot of talent (not downhill skiing talent, but talent none the less), I’m just not comfortable shouting it from the rooftops. It’s not who I am. Thanks to age (and this project), I am more and more comfortable with the idea of myself as an “artist”. I spent a lot of years feeling like a fraud. Claiming to be an artist, but feeling like I didn’t have the pedigree. Well I do have the credentials,( just ask God, he gave them to me.) I’ve always loved being able to do the things that I can do, I’ve always longed to do other things that I can’t do, (No, not downhill, but maybe figure skating, or even walking and chewing gum at the same time without requiring knee surgery.) I’ve just always felt that as privileged as I am to have the skills that I have, I realize that they are skills that many other people are blessed with as well. I have from time to time been accused of “showing off”. It couldn’t be farther from the truth, because the truth is that I enjoy using my talents, every one of them to do things for others. Whether it is cooking a beautiful meal for friends or loved ones, painting something for a friend, or (my favorite) making something as a gift for a child, it’s never about, “Look what I can do.” It is always about my love of giving, of making someone happy, or hopefully making a difference in someone’s day, or a child’s life. That is who I am, no rooftops required.

Back to readying things for our business. I completed last nights pen and ink. It will be used as an award for one of the promotions we want to run with local schools. The second piece tonight is an idea I “borrowed”. Not the artwork, that’s me, although it was inspired by an old vintage book, but the idea for the product it will become. My daughter was invited to a baby shower. The guests were given a label and instructed to put it inside any book they might purchase for the baby. It had a place for the baby’s name, and who it was from, but my favorite part was where the guest was supposed to say why that book in particular. I loved the idea. I love children’s books and love to give my favorites as gifts. I wish I knew who to credit for this lovely idea, unfortunately I don’t. I do think it adds something really special to the gift of a book, and I think a book is the best gift one can get. My finished pen and ink, and watercolor, and pen on Bristol board with a little bit of computer help on font.

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It’s Raining, It’s Pouring…

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” Into every life some rain must fall.” I don’t know who said that, and I really don’t care at the moment, other than to say that it’s been torrential here, and I don’t think that rain was meant to come from my dining room ceiling. Things were slightly better today, and all that means is that the guys that are repairing my house don’t have to cut out a piece of my ceiling, or a hole in my studio wall in order to get to the damage in the bathroom. Meanwhile we are suffering through noise I haven’t lived with since I lived eight minutes from O’Hare Airport in Chicago. We have in our dining room four contraptions meant to dry out the ceiling, and a few more upstairs running to dry out the floor. Non stop noise since seven this morning, and they won’t be off for three days. To say our nerves are just a little frayed is an understatement. Nothing like feeling like you live inside an airplane hangar to ease our stress levels. I spent much of the day listing on etsy, fairies for the most part. I am aiming to get prints up as soon as possible, but I am still in the process of figuring out watermarks. I think much like yesterday my work today is inspired by what I’m feeling. I want and need serenity, quiet, and peace. I am a person who enjoys solitude, who loves quiet, who hates noise. I don’t know how we’re going to make it through the next two days, but I guess after the last ten months we can do anything. So here is my imaginary place of quiet in watercolor.2 6 14

Creating Stories

When I was in college I took a three-dimensional design class. It’s been quite a few years since then so I barely remember the teacher, much less his name, but what I do remember was thinking that he was odd. One afternoon he began to explain as he called it his”glove fetish”. He had the opportunity to design one of the school windows in way of showing what the school was about. He used his glove collection. By way of explanation he told us a story about finding a glove on the street. It was apparently a very elegant glove. He spoke of his fantasy about the owner of the glove, wondering what kind of woman she was, and proceeded to tell us of the imaginary woman he had created in his mind, all from a single glove. I was twenty at the time and came home to tell my family that my teacher was, in my young words, “a major league weirdo”. As time went on he only cemented my opinion. In grading my work he spoke of my “cosmic” design sense, or would fixate on one particular element and in his own mind decide it was something that I had never envisioned. Of course I never argued, I agreed, I wanted the grade. On one project in particular we had to create in clay. I’m allergic, so in rummaging around the storage in the art department I found a leaf-shaped cookie cutter, I used it to cut out as many leaves as I could in the time allotted. I was jokingly referring to it as “Gilligan’s Hut” (if you are too young…Google it). When it came time for grading this teacher was gushing with praise for my “organic” creation. I of course played along, telling him that I too loved the “organic” creation I came up with.

I guess now that I am older I understand just a little bit of that teacher’s way of thinking. Unlike him I’m not drawn by single objects, but I am drawn to singular figures. I look at these people and in my mind I imagine who they are, wonder why they are alone, and hope that they have someone in their life. My Dad always says that there is no disease as bad as loneliness, wise words that I agree with. A few months ago it was the man with the umbrella at a bus stop in Chicago who grabbed my attention in a fleeting moment at a red light, just weeks ago the portrait of a lonely woman, and the oil painting still in progress of the young woman whose back was turned to me at Starbucks.  Last week there was a photo in the New York Times that really drew me in. It is of a woman with her back to the camera. I can’t really put my finger on why these individuals appeal to me. Sometimes I think it is a reflection of myself. I can still be quite shy, and have many times in my life felt alone or lonely. I wonder if maybe its the empathy I feel for singular lonely souls. The watercolor I did tonight is loosely based on the photo. There was a profile of a man to the left of this woman, he could have been with her, I can’t be sure, but he wasn’t important in the feeling I had about her. You will also see to the right just the silhouette of a man. The man on the right was engaged in conversation with someone else not relating to the woman, but I wanted to add his silhouette as a way of making her even more singular, but it was the woman I was interested in. In my imagination she is quietly listening. She is hesitant, she is older in how the world perceives her, but inside she is young and full of life. She is in my mind someone who lives alone, she is successful, she has friends, but none that know her as well as they think, and maybe, just maybe, she is holding an elegant pair of gloves in her hands.2 3 14

Learning To Let Go Of What’s Right

Tonight an exercise in thinking outside the box. I am someone who has spent their entire life trying to do things the “right” way, for the most part I have been successful. I’ve touched on this subject once before, many, many blogs ago. That need to be right and do right interferes with my creative process. When you are a person who is compelled to follow the rules, creativity, which by nature has no rules, can be difficult. Obviously I have skills in traditional art, I can draw, I can paint, but what I can’t do is get past my own limitations on the “right” way. It is an issue that I struggle with on a continuing basis. Paintings that get ruined because I think they aren’t “right” or “perfect” enough, so I change something organic and beautiful into a muddied mess. I’ve completed only a few other altered art projects along the way in this blog, and tonight decided it was time to face my demons once again. I look at the altered art pieces of other artists and absolutely love them, in fact I think the more nonsensical the piece the more I love it. There’s a childlike freedom in altered art. I would define it as art before you were told what art was “supposed to be”. Composition is of course as always important, but other than that there is freedom of expression, sort of “everything including the kitchen sink” art. I have several photographs of my grandmother Florence, that I love. The one in this project is from a costume party when she was seventeen. The original is in sepia tones so I colorized it in Photo shop. An old tin box from some postcards (recycling once again!), a photo of the window that faced our apartment in Paris, a couple of my multitude of sky photos, and butterflies, lots of butterflies. I’m not finished, a day that found me with a bad headache once again, so the components are here, the pieces will come together in the morning. It’s coming along nicely, very different for me, and something I think I need to force myself to do more often to loosen me up a bit creatively speaking.1 29

A Life Reflected

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Something I wrote last night sparked some interesting thoughts in my head today. Last night I made reference to my half painted canvas, which upon a coat of paint, was fully clothed. I thought a lot about that today. Sexuality is a subject that makes many people uncomfortable, not me. (Just ask my horrified children.) To be human is to be a sexual being. To give birth is a sexual experience. When I look at that “virginal” white canvas that I started with yesterday I cannot help but think how much life it gains when paint is laid upon it. I give birth to my art. It becomes vibrant and alive. Think about it. How much great art has been produced through the ages due to love, to lust, or because of frustration? The human condition immortalized in paint, in charcoal, in photograph. The Mona Lisa’s smile, the lusty vivacious work of Georgia O’Keefe, even the loneliness of strangers in a diner in Hopper’s “Nighthawks”. The virginal blank surface that has yet to experience life, it is the artist who is tasked to recreate emotion through color and image. The connection between the work and the artist as a human is singular. As I thought about these things today I realized that my own hesitancy, my own cautious approach to laying the paint upon a surface as a young artist has been replaced with a love for richness, for texture, for color. All reflective of the life already lived. I was timid in my younger self, afraid to put too much paint on the surface, afraid of revealing too much of myself. There is a confidence in aging, a wisdom that the young artist can never have. Even the most skilled artist as a youth will find that the work will grow as the life experience grows as well. Love, heartbreak, loneliness, regret, laughter, joy; the list of emotion is endless, the effect on the artist is immeasurable. I need to respect my own process, my own growth and life experience, to leave more of myself on the canvas.

Tonight a face. I love faces. I didn’t want to sketch a recognizable face, but to draw for practice, for the enjoyment. This is a woman who doesn’t exist, created by my hand.1 28